Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today. Acknowledgments 1. Many critics seem to assume that satire mostly faded away, as romantics turned their attention from political and social folly to poetic genius and natural beauty. Emmett Stinson convincingly proposes an alternative narrative in Satirizing Modernism.
He argues that a new, self-reflexive kind of satire-dedicated less to social commentary and more to probing the limits of artistic innovation-emerged during romanticism and came to fruition during modernism.
Modernism Satire Novel by Jonathan Greenberg
This is a must-read book not only for scholars of modernism in general but also for scholars working on the experimental writers Stinson foregrounds Wyndham Lewis, William Gaddis, and Gilbert Sorrentino. Clement Greenberg e la Halakah del Modernismo. Fables of Subversion Satire and the American Novel, Steven Weisenburger - Tom Huhn - - Constellations 7 2 Satire, Analogy, and Moral Philosophy. Henry Staten - - Angelaki 7 1 — Erin K. Moodie - - American Journal of Philology 1 Adorno, Greenberg and Modernist Politics.
Sass - Bernard Smith - - Thesis Eleven 38 1 Steven T. Downloads Sorry, there are not enough data points to plot this chart. The Difficulties of Modernism. Leonard Diepeveen. Criticism and Literary Theory to the Present. Chris Baldick. Writing the City. Desmond Harding. Reading Texts, Reading Lives. Daniel Morris. An Archaeology of Sympathy. James Chandler. The Age of Auden. Aidan Wasley. Melba Cuddy-Keane.
The Bourgeois Interior. Julia Prewitt Brown. Sandra M. The Cambridge Companion to Henry James. Jonathan Freedman. Discourse and Ideology in Nabokov's Prose. David H. Rae Greiner. Virtual Modernism. Katherine Biers.
Bloomsbury, Modernism, and the Reinvention of Intimacy. Jesse Wolfe. Working Fictions. Carolyn Lesjak. David Krasner. A History of English Autobiography. Adam Smyth. The Extinct Scene. Thomas Davis. Criminal Law and the Modernist Novel. Rex Ferguson. New Directions in the History of the Novel. Time and the Moment in Victorian Literature and Society.
Sue Zemka. A Companion to the Works of J.
Tim Mehigan. Peter Brooker. Patricia Waugh. Mimetic Disillusion.
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